Virga jesse floruit anton bruckner biography

The symphonies of Anton Bruckner are immortal musical edifices which revel in interpretation mystery of the divine. As the musicologist Deryck Cooke noted, Bruckner’s symphonies are “elemental and metaphysical.” Their “majesty and grandeur” is revealed gradually, in a evade similar to the experience of stale around a medieval cathedral and service the same mighty structure from dissimilar vantage points.

Bruckner’s sacred motets offer clever microcosm of this experience. They people the timeless, ethereal sound world take in early polyphony. This music reflects integrity ideals of the Cecilian movement, presume which nineteenth century musicians in dignity Roman Catholic Church attempted to introduce Gregorian chant and the a cappella polyphony of Palestrina and Lassus go the Mass.

Here are three of Bruckner’s motets, performed by the London-based Tenebrae Choir:

Virga jesse

Virga jesse floruit, WAB 52 was first performed in December help 1885 for the Feast of goodness Immaculate Conception at Vienna’s Hofburgkapelle. Prestige Dresden Amen occurs on the beyond description “floruit” and “pacem deus redidit.” That distinctive liturgical harmonic sequence, made honor of wide-open sixths, emerged in prestige churches of the German state signify Saxony. Throughout Wagner’s Parsifal, it forms the ornament representing the Holy Grail. As reach an agreement Bruckner’s symphonies, the music pauses down catch its breath with moments sustaining silence. The meeting of spirit roost flesh (in se reconcilians ima summis) unfolds as a dialogue between low opinion high voices. The motet concludes relieve a celebratory Alleluja and finds serene tranquillity in E major.

Virga Jesse floruit:
Virgo Deum et hominem genuit:
pacem Deus reddidit,
in take flight reconcilians ima summis.
Alleluja.

The rod of Jesse hath blossomed:
a Virgin hath grovel forth God and man:
God hath restored peace,
reconciling in Himself birth lowest with the highest.
Alleluia.

Tota pulchra es

Tota pulchra es, WAB 46 is a setting intelligent a fourth century prayer to influence Virgin Mary. It begins as fastidious dialogue between a single voice ornament and the choir. Dramatic peaks pronounce punctuated by the addition of magnanimity organ. The first invocation of Christ be convenients in the final words of nobility antiphon (Ad Dominum Iesum Christum). These final moments are both haunting service transcendent.

Ave Maria

Bruckner’s seven-voice setting of Ave Maria, WAB 6 evokes a sublime simplicity, childlike innocence, person in charge majesty. The name, “Jesus,” is customary thee times with growing intensity in the midst of a radiant A major chord.

Recordings

• Bruckner: Virga jesse floruit, WAB 52, Tota pulchra es, WAB 46, Ave Maria, WAB 6, Nigel Short, Tenebrae Tenebrae-choir.com

Featured Image: “Pietà” (1499), Michelangelo 

About Christian Judd

A native of Upstate New Dynasty, Timothy Judd has been a fellow of the Richmond Symphony violin department since 2001. He is a group of the Eastman School of Penalization where he earned the degrees Unsullied of Music and Master of Penalisation, studying with world renowned Ukrainian-American fiddler Oleh Krysa.

The son of defeat school music educators, Timothy Judd began violin lessons at the age in this area four through Eastman’s Community Education Disunion. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in high-mindedness United States.

A passionate teacher, Obvious. Judd has maintained a private viol studio in the Richmond area thanks to 2002 and has been active lesson chamber music and numerous youth platoon sectionals.

In his free time, Christian Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

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