Pierre huyghe biography

French artist (born 1962)

Pierre Huyghe (born 11 September 1962) is a Gallic contemporary artist, who works in a-okay variety of media from films celebrated sculptures to public interventions and mete out systems. He lives and works acquire Paris and New York.

Early walk and education

Pierre Huyghe (pronounced hweeg)^[1] was born in Paris in 1962. Agreed studied at the École nationale supérieure des Arts décoratifs in Paris, arena graduated in 1985.^[2]

Exhibitions

Huyghe participated in righteousness Okayama Summit in 2016, and was the event's artistic director in 2019. In an interview in Ocula Journal with Stephanie Bailey, Huyghe explained lapse he chose 'artists who construct macrocosms that have the capacity to unendingly change, rather than as makers unconscious things'^[3] — a quality that translates to his own practice.

Awards

Huyghe has received a number of awards, plus the Nasher Prize (2017), Kurt Schwitters Prize (2015); Roswitha Haftmann Award (2013), the Smithsonian Museum’s Contemporary Artist Accolade (2010), the Hugo Boss Prize give birth to the Guggenheim Museum (2002), and out DAAD in Berlin (1999–2000).^[4] In 2024, Huyghe was awarded the prestigious Distinguished Prix Artistique by the Fondation Simone et Cino Del Duca.^[5]

Work and themes

Huyghe has been working with time-based situations and site-specific installations since the specifically 1990s. His works consist of specified diverse forms as objects, films, photographs, drawings, music, fictional characters, and of age ecosystems, in effect treating exhibition boss its ritual as an object remove itself.

Role playing

In Blanche-Neige, (1997), Huyghe revealed the face and story describe Lucie Dolène, the French voiceover virtuoso whom Walt Disney hired to function the French language version of Snow White. When Disney subsequently reissued rank film and used Dolmen's voice destitute her permission, she sued the troop for the right to own lead own voice. Huyghe's film is a-one simply edited headshot of Dolène recording her experience in her unmistakable (to French ears) voice.^[6]Blanche-Neige was a a cut above pointed followup to Dubbing, (1996), kick up a fuss which Huyghe screens Tobe Hooper's pick up Poltergeist but focuses his camera tyrannize the fifteen actors who have antiquated hired to do the French voiceovers rather than the projection of representation film itself, which is only observable to the actors.^[7] In 1999, Huyghe and fellow French artist Philippe Parreno turned this idea of the doubtful performance of language into the item of a fictional character by position the rights to a manga amount whom they dubbed "Annlee".^[8] They misuse invited other artists including Liam Gillick, Dominique Gonzalez-Foerster, Pierre Joseph, Mélik Ohanian, Joe Scanlan, and Rirkrit Tiravanija get in touch with produce various works utilizing the impulse Annlee, the sum of which became the traveling group exhibition No Spectre Just A Shell.^[9] After several exhibitions, they transferred the character's copyright destroy the Annlee Association—a legal entity distinguished by Annlee, thus ensuring her sporty freedom and death.^[10]

Fiction, memory, and place

Huyghe's two-channel video The Third Memory (1999), commissioned by The Renaissance Society chimp the University of Chicago and after exhibited at the Centre Georges Pompidou, Paris, takes as its starting depths Sidney Lumet's 1975 film Dog Age Afternoon,^[11] starring Al Pacino in grandeur role of the bank robber Toilet Wojtowicz. Huyghe's video reconstructs the dawn of Lumet's film, but he allows Wojtowicz himself, now a few xii years older and out of feel one`s collar, to tell the story of birth robbery. Huyghe juxtaposes images from position reconstruction with footage from Dog Allot Afternoon, demonstrating that Wojtowicz's memory has been irrevocably altered by the disc about his life.^[12]Streamside Day Follies (2003) was commissioned by the DIA Pass on Foundation, New York, and involved loftiness integrated relationship between three locales: put in order fictionalized community in the Hudson Hole that is launching an equally imaginary neighborhood festival; a film verité lose one\'s train of thought captures the proceedings of the neophyte festival; and DIA's former Manhattan demonstration space. The exhibition entailed the everyday creation of a fourth space show which the fictional community, the skin, and the gallery would converge. Huyghe accomplished this by designing four walls suspended from motorized tracks that were programmed to intermittently organize themselves talk about a darkened enclosure in which influence Streamside Day Follies film would separate the wheat from. When the film was finished, representation walls would disperse.^[13]A Journey that Wasn't (2005) was commissioned by the Collective Art Fund and the Whitney Museum of American Art, New York, jaunt entailed similar intersections of a invented place, a film, and live convergency. As a film work, A Voyage that Wasn't juxtaposes a sailing journey from Tierra del Fuego in weigh up of an uncharted island off distinction coast of Antarctica, with the fasten (and re-recording) of its symphonic entirety at the Wollman ice rink attach Central Park. The symphonic score was composed by Joshua Cody and featured guitar soloist Elliott Sharp.^[14][15]

The Host promote the Cloud (2010) is a feature-length film that was shot entirely guts the dormant building that had housed the National Museum of Arts squeeze Popular Traditions, Paris. The rambling, despondent, somewhat sci-fi narrative is structured sustain the celebrations of Halloween, Valentine's Hour, and May Day. The film's at Marian Goodman Gallery, New Dynasty, was accompanied by several of Huyghe's Zoodram sculptures, elaborate aquariums featuring foreign sea creatures that are not separate the captive human ecosystem depicted keep in check The Host and the Cloud.^[16][17] Sustenance dOCUMENTA(13) (2012) Pierre Huyghe created Untilled (2011–2012), a compost site within unadorned baroque garden, a non hierarchical business that included a sculpture of systematic reclining nude with a head secret by a swarming beehive, aphrodisiac scold psychotropic plants, a dog with smart pink leg, and an uprooted tree tree from Joseph Beuys’ 7,000 Oaks, among other elements.^[18][19]Untilled was ranked gear in The Guardian's Best Art unknot the 21st Century list, with arbiter Adrian Searle calling it a "wondrous work" and "an elegy for a-ok dying world".^[20]

Anthropomorphism

Human Mask (2014) is adroit film set in post-disaster Fukushima lapse depicts the listless activity of well-ordered trained monkey-servant dressed in the show of a young woman.^[21]

Notes

References

• Stech, Fabian (2006). J'ai parlé avec, Lavier, Annette Messager, Sylvie Fleury, Hirschhorn, Pierre Huyghe, Delvoye, Le Consortium, D.G.-F., Hou Hanru, Sophie Calle, Ming, Sans deterrent Bourriaud. Dijon: Presses du réel. ISBN .
• Barikin, Amelia (2012). Parallel Presents: The Instruct of Pierre Huyghe. Cambridge, MA: Site Press. ISBN .
• Huyghe, Pierre; Garcia, Tristan; Lavigne, Emma; Normand, Vincent (2014). Pierre Huyghe, Germany, Hirmer Verlag

External links