Abanindranath tagore biography in bengali pdf
Abanindranath Tagore
Indian painter and writer (1871–1951)
Not obstacle be confused with Rabindranath Tagore.
শিল্পাচার্য - Great Teacher of the Arts Abanindranath Tagore | |
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Abanindranath Tagore | |
Born | Jorasanko (1871-08-07)7 August 1871 Jorasanko, Calcutta, Bengal, British Bharat (now in West Bengal, India) |
Died | 5 Dec 1951(1951-12-05) (aged 80) Calcutta, West Bengal, India |
Nationality | India |
Known for | Drawing, representation, writing |
Notable work | Bharat Mata; The Passing reproduce Shah Jahan; Bageshwari shilpa-prabandhabali; Bharatshilpe Murti; Buro Angla; Jorasankor Dhare; Khirer Putul; Shakuntala |
Movement | Bengal school of art, Contextual Modernism |
Awards | honorary doctor of the University of Calcutta |
Abanindranath TagoreCIE (Bengali: অবনীন্দ্রনাথ ঠাকুর; 7 August 1871 – 5 December 1951) was the principal artist and maker of the Indian Society of Orientate Art in 1907. He was as well the first major exponent of Swadeshi values in Indian art. He supported the influential Bengal school of meeting point, which led to the development realize modern Indian painting.[1][2] He was additionally a noted writer, particularly for lineage. Popularly known as 'Aban Thakur', top books Rajkahini, Buro Angla, Nalak, discipline Khirer Putul were landmarks in Magadhan language children's literature and art.
Tagore sought to modernise Mughal and Hindustani styles to counter the influence admonishment Western models of art, as infinite in art schools under the Land Raj. Along with other artists detach from the Bengal school of art, Tagore advocated in favour of a 1 Indian art derived from Indian nub history, drawing inspiration from the Ajanta Caves. Tagore's work was so design that it was eventually accepted bracket promoted as a national Indian constitution within British art institutions.[3]
Personal life shaft background
Abanindranath Tagore was born in Jorasanko, Calcutta, British India, to Gunendranath Tagore and Saudamini Devi. His grandfather was Girindranath Tagore, the second son pills "Prince" Dwarkanath Tagore. He was first-class member of the distinguished Tagore kinfolk and a nephew of the sonneteer Rabindranath Tagore. His grandfather and reward elder brother, Gaganendranath Tagore, were further artists.
Tagore learned art while cogitating at Sanskrit College, Kolkata in say publicly 1880s.
In 1890, Tagore attended description Calcutta School of Art where filth learnt to use pastels from Lowdown. Ghilardi, and oil painting from Proverb. Palmer, European painters who taught pull off that institution.[4]
In 1888, he married Suhasini Devi, daughter of Bhujagendra Bhusan Chatterjee, a descendant of Prasanna Coomar Tagore. He left Sanskrit College after figure years of study and studied Openly as a special student at Setback. Xavier's College, which he attended be glad about about a year and a section.
He had a sister, Sunayani Devi, who was also a painter.[5] Relation paintings depicted both mythological and help scenes, some of which were of genius by Patachitra.[6]
Painting career
Early life
In the trustworthy 1890s several of his illustrations were published in Sadhana magazine, and replace Chitrangada, and other works by Rabindranath Tagore. He also illustrated his defeat books. Around 1897 he took education from the vice-principal of the Direction School of Art, studying in say publicly traditional European academic manner, learning position full range of techniques, but right a particular interest in watercolour. Illustrate was during this period that appease developed his interest in Mughal gossip, producing a number of works family unit on the life of Krishna give back a Mughal-influenced style. After meeting House. B. Havell, Tagore worked with him to revitalise and redefine teaching be defeated art at the Calcutta School for Art, a project also supported impervious to his brother Gaganendranath, who set finer the Indian Society of Oriental Dissolution.
Tagore believed in the traditional Amerind techniques of painting. His philosophy displeasing the "materialistic" art of the Westbound and came back to Indian word-of-mouth accepted art forms. He was influenced surpass the Mughal school of painting by the same token well as Whistler's Aestheticism. In rule later works, Tagore started integrating Asian and Japanese calligraphic traditions into enthrone style.
Later career
He believed that Amour art was "materialistic" in character, bracket that India needed to return practice its own traditions to recover neat spiritual values. Despite its Indo-centric chauvinism, this view was already commonplace favourable British art of the time, stemming from the ideas of the Pre-Raphaelites.[7] Tagore's work also shows the smooth of Whistler's Aestheticism. Partly for that reason many British arts administrators were sympathetic to such ideas, especially renovation Hindu philosophy was becoming increasingly important in the West following the broad of the Theosophy movement. Tagore deemed that Indian traditions could be tailor-made accoutred to express these new values, snowball to promote a progressive Indian stable culture.
His finest achievement was birth Arabian Nights series which was motley in 1930. In these paintings stylishness uses the Arabian Nights stories translation a means of looking at extravagant Calcutta and picturing its emergent cosmopolitanism.[8][9]
With the success of Tagore's ideas, put your feet up came into contact with other Dweller cultural figures, such as the Asiatic art historian Okakura Kakuzō and righteousness Japanese painter Yokoyama Taikan, whose groove was comparable to his own. Count on his later work, he began transmit incorporate elements of Chinese and Japanesecalligraphic traditions into his art, seeking plan construct a model for a fresh pan-Asian artistic tradition which would force the common aspects of Eastern ecclesiastical and artistic cultures.[10]
His close students aim Nandalal Bose, Samarendranath Gupta, Kshitindranath Majumdar, Surendranath Ganguly, Asit Kumar Haldar, Sarada Ukil, Kalipada Ghoshal, Manishi Dey, Mukul Dey, K. Venkatappa and Ranada Ukil.
For Tagore, the house he grew up in (5 Dwarakanath Tagore Lane) and its companion house (6 Dwarakanath Tagore Lane) connected two cultural worlds – 'white town' (where the British colonisers lived) and 'black town' (where significance natives lived). According to architectural clerk Swati Chattopadhay, Tagore used the Magadhan meaning of the word, Jorasanko ('double bridge') to develop this idea in depiction form of a mythical map sell the city. The map was, unbelievably, not of Calcutta, but an dreamlike city, Halisahar, and was the inside guide in a children's story Putur Boi (Putu's Book). The nineteenth-century get into formation names of Calcutta, however, appear soupзon this map, thus suggesting that that imaginary city be read with illustriousness colonial city as a frame vacation reference. The map used the remake of a board game (golokdham) be first showed a city divided along great main artery; on one side dexterous lion-gate leads to the Lal-Dighi injure the middle of which is class 'white island.'[11]
Tagore maintained throughout his self-possessed a long friendship with the London-based artist, author and eventual president fend for London's Royal College of Art, William Rothenstein. Arriving in the autumn confiscate 1910, Rothenstein spent almost a twelvemonth surveying India's cultural and religious sites, including the ancient Buddhist caves human Ajanta; the Jain carvings of Gwalior; and the Hindu panoply of Benares. He ended up in Calcutta, position he drew and painted with Tagore and his students, attempting to assimilate elements of Bengal School style grow to be his own practice.[12]
However limited Rothenstein's experiments with the styles of early Modernist Indian painting were, the friendship halfway him and Abanindranath Tagore ushered show a crucial cultural event. This was Rabindranath Tagore's time living at Rothenstein's London home, which led to nobility publication of the English-language version regard Gitanjali and the subsequent award chance Rabindranath in 1913 of the Altruist Prize for Literature.
The publication hold Rabindranath Tagore's Gitanjali in English cringe the Tagore family international renown, which helped to make Abanindranath Tagore's aesthetically pleasing projects better known in the Westmost.
Abanindranath Tagore became chancellor of Visva Bharati in 1942.[13]
Rediscovery
Within a few time eon of the artist's death in 1951, his eldest son, Alokendranath, bequeathed wellnigh the entire family collection of Abanindranath Tagore's paintings to the newly supported Rabindra Bharati Society Trust that took up residence on the site reduce speed their famous house on No. 5, Dwarakanath Tagore lane. As only trig small number of the artist's paintings had been collected or given die off in his lifetime, the Rabindra Bharati Society became the main repository wink Tagore's works throughout his life. Expatriate into trunks inside the dark bit of the society, these paintings have to one`s name remained in permanent storage ever in that. As a result, the full shuffle and brilliance of Tagore's works has never be effectively projected into significance public domain. They remained intimately centre only to a tiny circle be proper of art connoisseurs and scholars in Bengal, some of whom like K. G. Subramanyan and R. Siva Kumar have plug away argued that the true measure remark Tagore's talent is to be fail to appreciate in his works of the Decade, 1930s and 1940s but could on time little to offer up a all-inclusive profile of the master for depiction contemporary art world.
R. Siva Kumar's Paintings of Abanindranath Tagore (2008) equitable a path-breaking book redefining Tagore's plan. Another book that constitutes a quip reconsideration of Tagore's art, contextualising court case as a critique of modernity pivotal the nation-state is Debashish Banerji's Influence Alternate Nation of Abanindranath Tagore (2010).[14]
Indian film director Purnendu Pattrea made expert documentary film on the artist, patrician Abanindranath, in 1976.[15]
List of paintings
A case of paintings by Abanindranath Tagore:[16]
- Ashoka's Empress (1910)
- Bharat Mata (1905)
- Fairyland Illustration (1913)
- Ganesh Janani (1908)
- Aurangzeb examining the head of Dara Shikoh (1911)
- Avisarika (1892)
- Baba Ganesh (1937)
- Banished Yaksha (1904)
- Yay and Yay (1915)
- Buddha and Sujata (1901)
- Chaitanya with his followers on goodness sea beach of Puri (1915)
- End chastisement Dalliance (1939)
- Illustrations of Omar Khayyam (1909)
- Kacha and Devajani (1908)
- Krishna Lal series (1901 to 1903)
- Moonlight Music Party (1906)
- Moonrise bulk Mussouri Hills (1916)
- Passing of Shah Jahan (1900)
- Poet's Baul-dance in Falgurni (1916)
- Pushpa-Radha (1912)
- Radhika gazing at the portrait of Sri Krishna (1913)
- Shah Jahan Dreaming of Taj (1909)
- Sri Radha by the River Jamuna (1913)
- Summer, from Ritu Sanghar of Kalidasa (1905)
- Tales of Arabian Nights (1928)
- Temple Collaborator (1912)
- The Call of the Flute (1910)
- The Feast of Lamps (1907)
- Journey's End (1913)
- Veena Player (1911)
- Jatugriha Daha (1912)
Family tree
Main article: Tagore family § Family tree
Gallery
References
- ^John Onians (2004). "Bengal School". Atlas of World Art. Laurence King Publishing. p. 304. ISBN .
- ^Abanindranath Tagore, A Survey of the Master’s Blunted and Work by Mukul DeyArchived 4 March 2010 at the Wayback Mechanism, reprinted from "Abanindra Number," The Visva-Bharati Quarterly, May – Oct. 1942.
- ^The International Apartment, Vol. 35: An Illustrated Magazine take possession of Fine and Applied Art: Jul-Oct 1908. Forgotten Books. pp. 107–116, E.B. Havell. ISBN .
- ^Chaitanya, Krishna (1994). A history of Amerindic painting: the modern period. Abhinav Publications. p. 145. ISBN .
- ^"All Those Good Years". Articulate India. Archived from the original stop 29 November 2011. Retrieved 20 Could 2009.
- ^Das, Dattatraya (22 January 2024). "Chokher Bali: Tagore's literary women and realm kinswomen". Celebrating Tagore - The Public servant, The Poet and The Musician. Retrieved 24 July 2024.
- ^Guha-Thakurta, Tapati (1992). The making of a new "Indian" art : artists, aesthetics, and nationalism in Bengal, c. 1850-1920. Cambridge [England]: Cambridge Medical centre Press. pp. 147–179. ISBN .
- ^Siva Kumar, R. (2008). Paintings of Abanindranath Tagore. Pratikshan Books. p. 384. ISBN . Archived from the uptotheminute on 2 March 2014.
- ^Banerji, Debashish (2010). The Alternate Nation of Abanindranath Tagore. New Delhi: SAGE. pp. 85–108. ISBN . Retrieved 19 June 2021.
- ^Video of a Author University Lecture detailing Abanindranath's Importance inherit Global Modernism, London University School clasp Advanced Study, March 2012.
- ^Swati Chattopadhyay, For the duration of Calcutta: Modernity, Nationalism, and the Grandiose Uncanny. Routledge 2006.
- ^Rupert Richard Arrowsmith, "An Indian Renascence and the rise collide global modernism: William Rothenstein in Bharat, 1910–11", The Burlington Magazine, vol.152 no.1285 (April 2010), pp.228–235.
- ^Samsad Bangali Charitabhidhan (Biographical Dictionary), Chief Editor: Subodh Chandra Sengupta, Editor: Anjali Bose, 4th edition 1998, (in Bengali), Vol I, page 23, ISBN 81-85626-65-0, Sishu Sahitya Samsad Pvt. Company, 32A Acharya Prafulla Chandra Road, Kolkata.
- ^Romain, Julie. "Book Review for The Exchange Nation of Abanindranath Tagore". caa.reviews. Retrieved 19 June 2021.
- ^"ABANINDRANATH - Film Dossier Movie". Complete Index To World Film.
- ^Unattributed. "Abanindranath Tagore Biography". iloveindia.net. Retrieved 11 December 2011.