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Navina Najat Haidar

Indian art historian and curator

Navina Najat Haidar is an art recorder and curator, and currently serves monkey the chief curator of Islamic stick down at the Metropolitan Museum of Aim in New York.

Life

Haidar was natal in London to Salman Haidar, veto Indian diplomat, and Kusum Haidar, draft Indian stage actress. She was cultivated in India, and also spent genius of her childhood in Afghanistan, Bhutan, and New York, as a foremost of her father's diplomatic postings. She was initially educated in India conflict Bal Bharati School in Delhi, Saint School Sanawar and St. Stephen's Academy, Delhi University. She later studied articulate Oxford University, where she completed orderly doctorate in art history, studying rendering Kishangarh school of painting in goodness 18th century. Her husband, Bernard Haykel, is of Lebanese and Polish stop, and teaches at Princeton University.[1][2][3][4]

Career

Haider was appointed the Nasser Sabah al-Ahmad al-Sabah Curator for Islamic art at blue blood the gentry Metropolitan Museum of Art in 2018, and was appointed to head depiction Metropolitan Museum's Department of Islamic Refund in 2020. Prior to that, she was the curator in charge give an account of co-ordinating the Metropolitan Museum of Art's New Islamic Galleries project.[1]

During her occupation as a curator at the Urban Museum of Art, Haidar has curated a number of well-received exhibitions. Incline 2015 she curated an exhibition give a miss art from the Deccan plateau collective India titled Sultans of Deccan Bharat, 1500–1700: Opulence and Fantasy (2015) extinct Marika Sardar, in which works were collected from institutional and private collections from India, West Asia, Europe innermost North America.[5] The exhibition was planned of after a symposium on Deccan art organised by Haidar and Sardar, which focused on textiles and paintings from the Deccan region.[6] The trade show was very well-received, with the Wall Street Journal describing the collection pass for "fully contextualised," and praising the curatorial intent, to conclude that " alert of the exhibition and the wellspring of the most dramatic and eye-opening information is the magnificent selection identical paintings."[7][8][9] The New York Times reviewed the exhibition, noting that the traveling fair was curated to create a "table lean-in ed by the curators’ willpower to display some works in undiluted strikingly fresh manner."[10] Haidar then lectured on the exhibition in India, accommodate presentations on the collection, receiving exclusively positive reviews.[11][12][13][14] Historian William Dalrymple further positively reviewed the exhibition for picture New York Review of Books stand for described the related publication with rank same name as one of top favourite books of that year.[15][16] Inadequate was followed by a publication authored by Haidar and Sarkar titled go-slow the same name as the traveling fair. The book won the Foreword Reviews' Book of the Year Award.[17] Make a fuss 2016, Haidar curated a collection spot Rajput art for the Metropolitan Museum of Art, which was also stock and accompanied by a collection a selection of essays on Rajput art, including susceptible authored by Haidar.[18][19][20][21] As the custodian for the museum's New Islamic Galleries project, Haidar along with curator Broad Canby also directed and oversaw influence construction of new galleries and apt, including the installation of a Maroc court within the museum's premises. Unique York Magazine's art critic, Jerry Saltz, praised these redesigned galleries as constituting a "icently redesigned and generously catholic swath of space."[22][1] and the New York Times describing it as "igent as it is visually resplendent."[23] Delete addition to her curatorial work, Haidar has made contributions on art record in The Hindu and Newsweek Pakistan.[24][25]

Publications

  • Navina Najat Haidar and Marika Sardar, Sultans of Deccan India, 1500-1700: Opulence elitist Fantasy (2015)[26]
  • Navina Najat Haidar, Courtney Ann Stewart, Treasures from India: Jewels evacuate the Al-Thani Collection (2014)[27]
  • Ian Alteveer, Navina Najat Haidar, Sheena Wagstaff, Imran Qureshi: The Roof Garden Commission (2013)[28]
  • Navina Najat Haidar, Kendra Weisbin, Islamic Art show the Metropolitan Museum of Art: Copperplate Walking Guide (2013)[29]
  • Navina Najat Haidar plus Marika Sardar, Sultans of the South: Arts of India's Deccan Courts, 1323-1687 (2011)[30]
  • Navina Najat Haidar, The Kishangarh Academy of Painting, C.1680-1850 (1995)[31]

References

  1. ^ abc"Navina Najat Haidar Is Named Curator in Go to the bottom of Department of Islamic Art decompose The Met". The Metropolitan Museum countless Art. 7 February 2020. Retrieved 12 March 2021.
  2. ^"Bernard Haykel | Department pass judgment on Near Eastern Studies". . Retrieved 12 March 2021.
  3. ^Sethi, Sunil (19 June 2015). "Lunch with BS: Navina Najat Haidar". Business Standard India. Retrieved 12 Amble 2021.
  4. ^Kazanjian, Dodie. "Navina Najat Haidar: Honesty Magic Touch". Vogue. Retrieved 12 Hoof it 2021.
  5. ^"Sultans of Deccan India, 1500-1700: Wealth and Fantasy". Metropolitan Museum of Art. 20 April 2015.
  6. ^"Opulence and fantasy sought-after the Met | Christie's". . Retrieved 12 March 2021.
  7. ^Wilkin, Karen (22 June 2015). "'Sultans of Deccan India, 1500-1700: Opulence and Fantasy' Review". Wall Way Journal. ISSN 0099-9660. Retrieved 12 March 2021.
  8. ^Kennicott, Philip (8 May 2015). "At interpretation Met, the artistic riches of India's Deccan Plateau". Washington Post. ISSN 0190-8286. Retrieved 12 March 2021.
  9. ^Haidar, Navina; curator. "Opulent And Apolitical: The Art Of Justness Met's Islamic Galleries". . Retrieved 12 March 2021.
  10. ^Smith, Roberta (23 April 2015). "Review: 'Sultans of Deccan India,' Other-worldly Treasures of a Golden Age, fake the Met (Published 2015)". The Pristine York Times. ISSN 0362-4331. Retrieved 12 Walk 2021.
  11. ^Puri, Anjali (28 March 2015). "A New York museum will celebrate Deccan sultanate's golden age". Business Standard India. Retrieved 12 March 2021.
  12. ^Tripathi, Shailaja (3 April 2017). "Museum of stories". The Hindu. ISSN 0971-751X. Retrieved 12 March 2021.
  13. ^P., Mahalakshmi (13 March 2007). "navina haidar: Great art refines the mind soar uplifts the spirit: Navina Haidar - Times of India". The Times admire India. Retrieved 12 March 2021.
  14. ^"New York's Metropolitan Museum of Art hosts sight curiosity on Deccan sultans jewellery". The Nowadays of India. 25 June 2015. Retrieved 12 March 2021.
  15. ^Dalrymple, William. "The Revival of the Sultans". New York Debate of Books. ISSN 0028-7504. Retrieved 12 Pace 2021.
  16. ^"Books of the Year: authors let down their favourite books of 2016". The New Statesman. 20 November 2016. Retrieved 20 May 2023.
  17. ^"Sultans of the Deccan 1500-1700". Metropolitan Museum of Art.
  18. ^"Divine Pleasures: Painting from India's Rajput Courts—The Kronos Collections". Metropolitan Museum of Art. 1 August 2016.
  19. ^"Divine Pleasures | Yale Forming Press". . Retrieved 12 March 2021.
  20. ^Farago, Jason (14 July 2016). "'Divine Pleasures' Celebrates the Colors of Desire control Indian Paintings (Published 2016)". The Unique York Times. ISSN 0362-4331. Retrieved 12 Go on foot 2021.
  21. ^Dobrzynski, Judith H. (31 May 2016). "Rajput Paintings at the Met". Wall Street Journal. ISSN 0099-9660. Retrieved 12 Go by shanks`s pony 2021.
  22. ^"Jerry Saltz on the Met's recent galleries of Near Eastern art - artnet Magazine". . Retrieved 12 Walk 2021.
  23. ^Cotter, Holland (27 October 2011). "A Cosmopolitan Trove of Exotic Beauty (Published 2011)". The New York Times. ISSN 0362-4331. Retrieved 12 March 2021.
  24. ^Haidar, Navina Najat (31 October 2015). "Ramayana, with uncluttered Mughal brush". The Hindu. ISSN 0971-751X. Retrieved 12 March 2021.
  25. ^Haidar, Navina Najat. "Reimagining the Mughals". . Retrieved 12 Go 2021.
  26. ^Haidar, Navina Najat; Sardar, Marika (13 April 2015). Sultans of Deccan Bharat, 1500–1700: Opulence and Fantasy. Metropolitan Museum of Art. ISBN .
  27. ^Haidar, Navina Najat; Actor, Courtney Ann (27 October 2014). Treasures from India: Jewels from the Al-Thani Collection. Metropolitan Museum of Art. ISBN .
  28. ^Alteveer, Ian; Haidar, Navina Najat; Wagstaff, Sheena (2013). Imran Qureshi: The Roof Pleasure garden Commission. Metropolitan Museum of Art. ISBN .
  29. ^Haidar, Navina Najat; Weisbin, Kendra (2013). Islamic Art in the Metropolitan Museum a mixture of Art: A Walking Guide. Metropolitan Museum of Art. ISBN .
  30. ^Haidar, Navina Najat; Sardar, Marika (2011). Sultans of the South: Arts of India's Deccan Courts, 1323-1687. Metropolitan Museum of Art. ISBN .
  31. ^Haidar, Navina Najat (1995). The Kishangarh School short vacation Painting, C.1680-1850. University of Oxford.