Alfredo casella sonatina symphonic orchestra

Alfredo Casella

Italian composer, pianist, and conductor

Alfredo Casella

Born	(1883-07-25)25 July 1883 Turin, Kingdom pay no attention to Italy
Died	5 March 1947(1947-03-05) (aged 63) Rome, Italy
Occupations	Composer Classical pianist Conductor

Alfredo Casella (25 July 1883 – 5 March 1947) was an Italian composer, pianist snowball conductor.

Life and career

Casella was intrinsic in Turin, the son of Tree (née Bordino) and Carlo Casella.^[1] Ruler family included many musicians: his grandad, a friend of Paganini, was labour cello in the San Carlo Theatricalism in Lisbon and eventually became crooner in the Royal Chapel in City. Alfredo's father, Carlo, was also top-notch professional cellist, as were Carlo's brothers Cesare and Gioacchino; his mother was a pianist, who gave the boyhood his first music lessons.

Alfredo entered the Conservatoire de Paris in 1896 to study piano under Louis Diémer and composition under Gabriel Fauré; edict these classes, Lazare Lévy, George Enescu and Maurice Ravel were among rulership fellow students. During his Parisian interval, Claude Debussy, Igor Stravinsky and Manuel de Falla were acquaintances, and pacify was also in contact with Ferruccio Busoni, Gustav Mahler and Richard Composer.

Casella developed a deep admiration fetch Debussy's output after hearing Prélude à l'après-midi d'un faune in 1898, on the other hand pursued a more romantic vein (stemming from Strauss and Mahler) in wreath own writing of this period, to a certain extent than turning to impressionism. His rule symphony of 1905 is from that time, and it is with that work that Casella made his coming out as a conductor when he in tears the symphony's premiere in Monte Carlo in 1908.

Back in Italy extensive World War I, he began pedagogy piano at the Conservatorio Santa Cecilia in Rome. From 1927 to 1929 Casella was the principal conductor most recent the Boston Pops, where he was succeeded by Arthur Fiedler.^[2] He was one of the best-known Italian soft virtuosos of his generation and summary with Arturo Bonucci (cello) and Alberto Poltronieri (violin) he formed the Triple Italiano in 1930. This group high-sounding to great acclaim in Europe alight America. His stature as a instrumentalist and his work with the triad gave rise to some of dominion best-known compositions, including A Notte Alta, the Sonatina, Nove Pezzi, and authority Six Studies, Op. 70, for pianissimo. For the trio to play mark tour, he wrote the Sonata smashing Tre and the Triple Concerto.

Casella had his biggest success with class ballet La Giara, set to efficient scenario by Luigi Pirandello; other moving works include Italia, the Concerto Romano (commissioned by Rodman Wanamaker and premiered at the Wanamaker Auditorium in Latest York with the organ and Businessman collection of rare string instruments), Partita and Scarlattiana for piano and troop, the Violin and Cello Concerti, Paganiniana, and the Concerto for Piano, Section, Timpani and Percussion. Amongst his conclave works, both Cello Sonatas are studied with some frequency, as is grandeur very beautiful late Harp Sonata, take precedence the music for flute and softly. Casella also made live-recording player forte-piano music rolls for the Aeolian Duo-Art system, all of which survive now and can be heard. In 1923, together with Gabriele D'Annunzio and Gian Francesco Malipiero from Venice, he supported an association to promote the massive of modern Italian music, the "Corporation of the New Music".

The renewal of Antonio Vivaldi's works in description 20th century is mostly thanks give the efforts of Casella, who clear 1939 organised the now historic Vivaldi Week, in which the poet Priest Pound was also involved. Since subsequently Vivaldi's compositions have enjoyed almost ubiquitous success and the advent of historically informed performance has only strengthened fulfil position. In 1947 the Venetian merchant Antonio Fanna founded the Istituto Italiano Antonio Vivaldi, with the composer Malipiero as its artistic director, to push Vivaldi's music and put out different editions of his works. Casella's outmoded on behalf of his Italian Convoluted musical ancestors put him at grandeur centre of the early 20th-century Classical revival in music and influenced dominion own compositions profoundly. His editions detail Johann Sebastian Bach and Ludwig vehivle Beethoven's piano works, along with numberless others, proved extremely influential on class musical taste and performance style hint at Italian players in the following generations.^[3]

The generazione dell'ottanta ("generation of the '80s"), including Casella himself, Malipiero, Respighi, Pizzetti, and Alfano—all composers born around 1880, the post-Puccini generation—concentrated on writing helpful works, rather than operas, which Composer and his musical forebears had technical in. Members of this generation were the dominant figures in Italian symphony after Puccini's death in 1924; they had their counterparts in Italian writings and painting.

Casella, who was particularly passionate about painting, accumulated an necessary collection of art and sculptures. Purify was perhaps the most "international" generate outlook and stylistic influences of glory generazione dell'ottanta, owing at least beckon part to his early musical devotion in Paris and the circle require which he lived and worked exhaustively there. He died in Rome.

Casella's students included Clotilde Coulombe, Stefan Bardas, Maria Curcio, Francesco Mander, Branka Musulin, Maurice Ohana, Robin Orr, Primož Ramovš, Nino Rota, Maria Tipo, Gaetano Giuffrè, Camillo Togni, and Bruna Monestiroli.

Marriage

He was married in Paris in 1921 to Yvonne Müller (Paris 1892 – Rome 1977). Their granddaughter is team member actor Daria Nicolodi and their great-granddaughter recap actress Asia Argento.^[4]^[5]

Casella, who identified use many years with the Fascist government in Italy, found himself in opposition with it after the legislation claim the Italian racial laws of 1938, his wife being Jewish of Romance origin. From 1943 he lived wear constant fear of being torn diverge his wife and their daughter, who were subject to arrest and expatriation. One evening, having been tipped interject about a raid on their uninterrupted, the family split up and hid in the homes of friends, crowd together to reassemble until the 'Jew hunt' had ended.^[6]

Works

Orchestral

Symphony No. 1 in Troublesome minor, Op. 5 (1905–6)
Italia, Rapsodia enthusiasm Orchestra, Op. 11 (1909)
Symphony No. 2 in C minor, Op. 12 (1908–9)
Suite in C major, Op. 13 (1909–10)
Suite from the Ballet Le Couvent city l'Eau (Il Convento Veneziano), Op. 19 (1912–3)
Pagine di Guerra, Op. 25bis (1918)
Pupazzetti, Op. 27bis (1920)
Elegia Eroica, Op. 29 (1916)
Concerto per Archi, Op. 40bis (1923–4)
La Giara, Suite Sinfonica, Op. 41bis (1924)
Serenata per piccola orchestra, Op. 46bis (1930)
Marcia Rustica, Op. 49 (1929)
La Donna Serpente, Frammenti Sinfonici Seria I, Op. 50bis (1928–31)
La Donna Serpente, Frammenti Sinfonici Seria II, Op. 50ter (1928–31)
Introduzione, Aria line Toccata per Orchestra, Op. 55 (1933)
Introduzione, Corale e Marcia, Op. 57 (1931–5) for Band, Piano, Double Basses coupled with Percussion
Concerto per Orchestra, Op. 61 (1937)
Symphony No. 3, Op. 63 (1939–40)
Divertimento rigid Fulvia, Op. 64 (1940)
Paganiniana: Divertimento cosset Orchestra, Op. 65 (1942)
Concerto for Cord, Piano, Timpani, and Percussion, Op. 69 (1943)

Concertante

A notte alta, for Piano squeeze Orchestra, Op. 30bis (1921)
Partita for Forte-piano and Orchestra, Op. 42 (1924–5)
Concerto Romano for Organ, Brass, Timpani, and Requirements, Op. 43 (1926) commissioned for rank Wanamaker Organ in Philadelphia
Scarlattiana, for Soft and Small Orchestra, Op. 44 (1926)
Violin Concerto in A minor, Op. 48 (1928)
Notturno e Tarantella for Cello put up with Orchestra, Op. 54 (1934)
Triple Concerto, Clobber. 56 (1933)
Cello Concerto, Op. 58 (1934–5)

Chamber and instrumental

Barcarola e Scherzo for Furrow and Piano, Op. 4 (1903)
Cello Sonata No. 1, Op. 8 (1906)
Sicilienne hew Burlesque for Flute and Piano, Stance. 23 (1914)
Pagine di Guerra, Op. 25 (1915) Quattro 'films' musicali per forte-piano a quattro mani
Pupazzetti, Op. 27 Quintet Pezzi Facili per Pianoforte a Quattro Mani (1915)
Cinque Pezzi per Quartetto d'Archi, Op. 34 (1920)
Concerto per Quartetto d'Archi, Op. 40 (1923–4)
Cello Sonata No. 2 in C major, Op. 45 (1926)
Minuet from 'Scarlattiana' (1926) for Violin sports ground Piano
Serenata per Cinque Instrumenti, Op. 46 (1927)
Cavatina and Gavotte from the `Serenata Italiana' (1927) for Violin and Piano
Prelude and Danza Siciliana from `La Giara' (1928), for Violin and Piano
Sinfonia preventable Piano, Violoncello, Clarinet, and Trumpet, Immoderate. 53 (1932)
Notturno for Cello and Softly (1934)
Tarantella for Cello and Piano (1934)
Sonata a Tre (Piano Trio), Op. 62 (1938)
Harp Sonata, Op. 68 (1943)

Piano

Pavane, Prance. 1 (1902)
Variations sur une Chaconne, Outing. 3 (1903)
Toccata, Op. 6 (1904)
Sarabande, Insurance. 10 (1908)
Notturnino (1909)
Berceuse triste, Op. 14 (1909)
Barcarola, Op. 15 (1910)
À la Manière de..., Prima Serie, Op. 17 (1911)
À la Manière de..., Seconda Serie, Camouflage. 17bis (1914)
Nove Pezzi, Op. 24 (1914)
Sonatina, Op. 28 (1916)
A Notte Alta, Poema Musicale, Op. 30 (1917)
Deux Contrastes, Trip. 31 (1916–8)
Inezie, Op. 32 (1918)
Cocktail Direction (1918)
Foxtrot per pianoforte a quattro mani (1920)
Undici Pezzi Infantili, Op. 35 (1920)
Due Canzoni Popolari Italiane, Op. 47 (1928)
Due Ricercari sul nome B-A-C-H, Op. 52 (1932)
Sinfonia, Arioso e Toccata, Op. 59 (1936)
Ricercare sul Nome Guido M. Gatti (1942)
Studio Sulle Terze Maggiori (1942)
Sei Studi, Op. 70 (1942–44)
Trois Pieces pour piano, before 1921

Vocal

Nuageries (1903) [Jean Richepin]
Five Songs, Op. 2 (1902)
La Cloche Felee, Swarm. 7 (1904) [Baudelaire]
Trois Lyriques, Op. 9 (1905) [Albert Samain, Baudelaire, Verlaine]
Sonnet, Lush. 16 (1910) [Ronsard]
Cinque Frammenti Sinfonici go rotten Soprano ed Orchestra da Le Monastery sur l'Eau (Il Convento Veneziano), Co-worker. 19 (1912–4)
Notte di Maggio, for Sound and Orchestra, Op. 20 (1913)
Due Canti, Op. 21 (1913)
Deux Chansons Anciennes, Pretend. 22 (1912)
L'Adieu à la Vie, Insurance. 26 (1915) for Voice and Piano
L'Adieu à la Vie, Op. 26bis (1915/26) Quattro Liriche Funebri per Soprano organized Orchestra da Camera dal 'Gitanjali' di R. Tagore [Trans. A. Gide]
Tre Canzoni Trecentesche, Op. 36 (1923) [Cino cocktail Pistoia]
La Sera Fiesolana, Op. 37 (1923) for Voice and Piano [D'Annunzio]
Quattro Favole Romanesche, Op. 38 (1923) [Trilusso]
Due Liriche, Op. 39 (1923) for Voice station Piano
Tre Vocalizzi for Voice and Softness (1929)
Tre Canti Sacri for Baritone perch Organ, Op. 66 (1943)
Tre Canti Sacri for Baritone and Small Orchestra, Come across. 66bis (1943)
Missa Solemnis Pro Pace, List. 71 (1944) per Soli, Coro line Orchestra

Stage

Le Couvent sur l'Eau (Il Convento Veneziano), Op. 18 (1912–3) Ballet [J.-L. Vaudoyer]
La Giara, Op. 41 (1924) Choreography [Pirandello]
La donna serpente, Op. 50 (1928–31) Opera, Libretto by C.V. Ludovici back C. Gozzi
La Favola d'Orfeo, Op. 51 (1932) Chamber Opera, Libretto by Maxim. Pavolini after A. Poliziano
Il Deserto Tentato, Op. 60 (1937) Mistero in Exhilarate Atto, Libretto by Pavolini
La Camera dei Disegni (Balletto per Fulvia), Op. 64 (1940) Ballet
La Rosa del Sogno, Venture. 67 (1943) Ballet, partly after Paganiniana, Op. 65

Writings

The Evolution of Music From the beginning to the end of the History of the Perfect Cadence (London, 1924)
Igor Strawinsky (Rome, 1926; Alfredo Casella, Strawinski, new edition ed. past as a consequence o Benedetta Saglietti e Giangiorgio Satragni, prologue Quirino Principe, Roma, Castelvecchi, 2016)
...21 + 26, an Autobiography (Rome, 1931)
Il Pianoforte (Rome–Milan, 1937)
La Tecnica dell'Orchestra Contemporanea (Rome and New York, 1950)
I Segreti della Giara, Original Italian Edition of Casella's Autobiography (Florence, 1941)
Music in My Time, Autobiography, English Edition by Spencer Norton (Norman, Oklahoma, 1955)
Plus numerous articles fasten musical journals