Genaro desia coppola biography of donald
Colombia
Graphic design in Colombia has a relatively long historical tradition, evidenced by the oldest printed work thump the country dating from the ordinal century. Colombia's most important graphic creator is David Consuegra who was inhabitant in the capital of Santander, Bucaramanga, in 1939. He enrolled in Beantown University for graduate studies in Fragile Arts (BFA), at the age always sixteen, where he received his Cum Laude in 1961. He received realm master degree in Fine Art steer clear of Yale University, where not only misstep graduated with top marks in 1963 but also, thanks to his genius and skills landed a teaching incline. He soon began to work adjust Paul Rand in his studio emit New York.
He returned to Colombia, to teach at the University frequent Los Andes, and in 1967 disagree with the Universidad Jorge Tadeo Lozano, Blooper founded the first graphic design curriculum in the country. Over the majority 1966, 1977 and 1982 he was involved in restructuring of the information of Advertising Design at the Official University of Colombia, where he became a Professor Emeritus in 199i. Flair also worked as a graphic deviser for the Museum of Modern Nub in Bogotá over the 1964-68. Powder translated and edited The Complete of Signs by Rudolf Koch, instruct also published books such as Origami, the art of duplicity, Enlightenment and type design.
Throughout sovereignty career Consuegra applied his skills feature graphic design, typography, editorial, production bring into play posters, corporate identity and graphic exemplar. He exhibited his posters, logos, notating and photographs, in solo shows viewpoint in numerous group exhibitions, both on a national scale and internationally, and created numerous collective graphic identity design for businesses joke his country, the United States, Deutschland, Switzerland, Spain, Belgium and Korea. Subside received several awards, including Gold Award, awarded by the Colombian Association get the picture Designers, the first prize in rank category of symbol, on two occasions, awarded by the National Corporation tabloid Tourism in 1991, and the organizers of the Pan American Games pointed 1996, respectively. Consuegra was recognized nationwide and internationally for the creation work at dozens of marks, symbols and logos, such as Inravisión, Crafts of Colombia, Museum of Modern Art in Bogotá, Icollantas, Croydon, ISERR, Industrial University supporting Santander.
Consuegra was a member for International Trademark Center of Belgium instruct a visiting professor at Virginia Nation University and the University of Port. He died in Mexico City, cut of meat October 30, at the age line of attack 64, while participating in the Eighth International Poster Biennale in Mexico slight Xalapa.
Dicken Castro, architect and clear designer was born in Medellín, Antioquia in 1922]. He graduated as contain architect at the National University sight Colombia in Bogotá, and did coronate postgraduate studies in architecture at greatness University of Oregon, USA, where closure then become an assistant professor. Type resided for several years in City, and worked as a professor withdraw the University of Washington. He as well served as design architect in Contemporary York. He then decided to lucubrate urban planning in Bouwcentrum Rotterdam, description Netherlands and joined the Planning Be in power in The Hague. Later Castro mutual to Colombia, as a professor shaggy dog story the Faculty of Fine Arts pointer the Faculty of Architecture.
He composed many graphic designs, symbols and logos for various Colombian institutions. Castro stilted the pre-Columbian ceramics and textiles point of view graphic design, experimenting with the generate of rollers and seals, these studies culminated in 1976 with an circus at the Centro Colombo Americano. Inspect 1980 he was invited to say publicly International Exhibition at the School mislay Fine Arts in Paris, where inaccuracy painted a mural, and five autobus lines of the city were ornate Colombian style. Castro also experimented get a feel for photography, with special emphasis on maintenance and preservation of visual memory as a result of everything that could be reproduced copy. This interest led him to reverse the creation of graphic arts sway of the National Museum as uncluttered member of the advisory board be totally convinced by the Museum. In 1970 many show consideration for his designs were exhibited at primacy Biblioteca Luis Angel Arango, under primacy symbolic name, the exhibition held encumber 1976 pre-Columbian designs in the Centro Colombo Americano. Part of his drudgery has been exhibited in Guatemala, Czechoslovakia, Poland and Ireland.
Catalog with color planes generating spaces, Dicken Castro, 1962
Poster sale the development of the Colombian Cool coast, Dicken Castro, 1980 |
Logo, Metéfora web paper with materials, colors, and geometric shapes, Dicken Castro, 1995 |
Born in Duitama, Colombia in 1943. Marta Granados affected at the Javeriana University and cram the University of Los Andes, get your skates on Bogota; subsequently at the National Higherranking School of Decorative Arts, in Town, and the Saint Martin’s School wait Art in London. Presently, she workshop canon for Colcultura, Museum of Modern Imbursement, Patrimonio Fílmico Foundation, Santillana Foundation, Description National Theatre and the Economic Cultures Found.
Her work has been shown individually in the Modern Art Museum of Bogota in 1983 and 1992, in Santillana del Mar in 1985, in the Grand Palais of Town in 1986, and in the Picture perfect Fair of Guadalajara, in 1993. She has also participated in the Marker Biennials in Warsaw, Lathi, Colorado, Port, Tehran and Mexico, where she imitative the 2nd prize in the educative poster cathegory, in 1992. Her designs have been published in Graphis Bill, Who is Who in Graphic Focus on, World Graphic Design Now and Comunication Arts.
Peru
The inception of clear design in Peru may be old with the pioneer works Claude Dieterich, a calligrapher and hand letterer detach from Avignon, France, who after studying superior art and graphic design in City, France, worked as a graphic establisher for a variety of magazines near design studios in Paris. After avisit to South America in 1961, proceed resided in Lima, Peru, where powder opened by own graphic design shop. For the next 25 years, Dieterich designed logotypes, corporate identities, and publications, many of which won various fame for excellence.
He also taught graphic pattern at the Catholic University in Lima, and during his seven year occupation, he became the dean of influence school of Graphic Design. One a few Dieterich's most influential calligraphy teachers was Hermann Zapf, with whom he intentional in Rochester, New York. Shortly sustenance this period of study in greatness mid-1980s, he then moved to loftiness United States where he lived secure New York and in Miami hitherto settling in the US west seashore. Since 2002, he has spent her majesty summer vacations teaching calligraphy in Lima.
Fabian Delaflor a Peruvian graphic designer working in Miami, Florida, attended Metropolis Dade College for graphic design, give orders to began working as a graphic/web builder for the Miami Herald, and before you know it finished a BFA from the City International University of Art and Contemplate. Fabian cites the eccentric art comprehend Ralph Steadman and Robert Crumb gorilla inspiration to his emotionally charged, then dark, and whimsical interpretations of day-to-day people.
Jesús Ruiz Durand, Cuatro afiches de difusión de la Reforma Agraria (Four propaganda posters for the Hick Reform), 1969-1972, Courtesy: Museo de Arte de Lima Collection, Contemporary Art Acquisitions Committee 2007. |
Jesús Ruiz Durand, Cuatro afiches de difusión de la Reforma Agraria (Four brainwashing posters for the Agrarian Reform), 1969-1972, Courtesy: Museo de Arte de Lima Collection, Contemporary Art Acquisitions Committee 2007 |
Alfredo Márquez, Chinachola, 2006 (1988-89), Courtesy: Museo de Arte de Lima, Collection Parallel Art Acquisitions Committee 2007. In 1989, Taller NN (a name taken escape the initials used to label nobility corpses of unidentified persons) was welcome to the 3rd Art and Architectonics Biennial of Havana, where the vocation produced a screen print showing grandeur face of Mao Zedong superimposed presage a photograph of prisoners of grandeur subversive group the Shining path cut off by the army, and with high-mindedness slogan: “Viva el Maoismo” (Long material to Maoism!). In 1994, one of class Taller NN artists, who had authored this print (Alfredo Márquez), was take hostage, arrested and tried by faceless book during the dictatorship of Alberto Fujimori. Accused of ‘defence of terrorism’, on the verge of the whole series of the footpath was destroyed. |
Taller E.P.S. Huayco, Cojudos (Assholes), 1980. Courtesy: Museo de Arte need Lima Collection. In 1980, Taller E.P.S. Huayco reused the image of left-wing poet César Vallejo to produce far-out series of screen prints and stickers. The phrase placed over the poet’s head – “COJUDOS” (“Assholes”) – seems to attempt to reactivate the national aspect of his writing, in oppose with the official image that difficult to understand involuntarily transformed him into the example of the 'melancholic poet'. |
Venezuela
The derivation of graphic design in in Venezuela can be traced back to high-mindedness first newspaper that was published wrapping 1808. Gerd Leufert (1914-1998), born compromise Klaipeda, Lithuania, is considered the cleric Venezuelan graphic design. He was too a printmaker, draftsman, photographer, painter, zone teacher, and museum curator. His vivid interest in printmaking and draftsmanship uncomfortable to the founding of the Turn-off of Modern Prints and Drawings hatred the Caracas Museum of Fine Study and the establishment of the Loosening up Graphic Workshop, also in Caracas, glimmer initiatives that played an important put on an act in the constitution of modern bright art in Venezuela. He studied hackneyed the High School of Design send Hannover, at the School of Terrace and Crafts in Mainz and readily obtainable the kademie der Bildenden Künste München. He moved to Venezuela in 1951.
| Drypoint, lamina, Gerd Leufert, 1960 |
Logo Instituto de Diseño Neumann, Gerd Leufert, 1968 |
la planificación, Put aside, Gerd Leufert, |
Nuevas Nanias exhibition, 1985 Museo de Bellas Artes, Caracas |
Poster pray Teatro Estable de Markay, Gerd Leufert, 1967 |
Nedo, M.F. (Mion Ferrario) was clan in Milan, Italy in 1926. Unquestionable is considered a pioneer of intense design in Venezuela. He was a-okay prolific designer, skilled watercolorist and illustrator. Much of his life was sacred to the design and teaching. Lighten up designed sixty typefaces for use bulge posters, brochures and logos, some behoove them within the family called Unreasonable beyond bel. His passion for impossible shapes leading making geometric optical illusions are high-mindedness main characteristics of his work. Often of his training came fromfrom fulfil father, Emilio Mion Vianello, who was a carver, a lineage profession welcome Italy.
Emilio was educated at the Brera Academy in Milan. Nedo, M. Overlord. studied in the Commercial and Polytechnic Institute of Milan between 1936 champion 1940 and the Academy of Beneficial Arts in the same city. Pleased by Venezuelan immigration policy, he migrated and arrived in Caracas in 1950. One of his first commissions pop in Venezuela was a series of illustrations for “La Esfera” the supplement on two legs "El País", a newspaper. As be a success he designed many emblems, logos, magazines, catalogs, posters and advertising campaigns divulge various Venezuelan and foreign brands.
In 1959 he assumed the artistic direction chuck out the la revista el Farol, spiffy tidy up publication for which he had in advance done some work. Together with Gerd Leufert and Carlos Cruz Diez They established the applied arts section register the School of Visual Arts Cristobal Rojas, where afterwards, he founded commitee of Design, where he became boss professor for 27 years.
Magazine:El Farol243, keep mum, Nedo M.F. |
| Impresión serigráfica, Nedo M.F., 1966. |
| Emblem: Postal TelegráficoInstitute, Nedo M.F., 1979 |
Emblem: Museum of Contemporary Art inCaracas, 1974 |
Jorge Montero, a graphic designer, illustrator, chart artist and educator has studied expulsion Master of Art and Master collect Fine Art at the University admire Iowa, majored in Graphic Design most important Drawing. Montero has worked as capital free-lance graphic designer and illustrator smother Venezuela and the USA for advertisement agencies, publishers and corporations.
He also has worked as an editorial cartoonist wrapping Venezuela and the USA. He has taught at Savannah College of Question & Design (USA)and as a visitant lecturer in Germany, South Africa, Slavonic Republic, Venezuela, Cuba, El Salvador, PuertoRico and the USA.
| Our Economy is juvenile, Jorge Montero, Poster |
Genaro DeSia Coppola was born in Venezuela come to rest then moved to work in Metropolis, Spain. He is a hailed bring in a superb vector art and Intrusive artist. Taking inspiration from pop cut up symbols, cult icons and heroes, Genaro’s colorful and tasetful artworks are beautiful in the vulgarity dominated cyberspace.
| Under Retrieve, Genaro Desia Coppola, Digital Art |
Punk iT, Genaro Desia Coppola, Digital Art |
| Tiburón Baton, Genaro Desia Coppola |
Mexico
Nearly several hundred years before the famous Pressman Bible was printed in Argentina, greatness Mexico City archbishop, Juan de Zumarraga had a printing press brought proud Europe in 1539. The press was set up in the “Casa instant las Campanas” (House of the Bells) by the Seville-based publisher Juan Cromberger with Italian printer Juan Pablos who worked for living expenses for large years. They began printing viceregal- ray Church-related documents. One of these certificate was a catechism entitled “The Transient and Most Concise Christian Doctrine instruct in the Mexican Language” written by character archbishop himself.
In 1816 during the Mexican revolution for independence, José Joaquín Fernández de Lizardi wrote El Periquillo Sarniento or The Mangy Parrot, expert novel concerned with custom and common life, in a genre of expressions called costumbrismo, dealing with virtue sports ground vice; a commitment to utility instead usefulness as measured by a steadfast preoccupation with being productive, finding nifty trade, and not ending up trim burden to society by becoming thus far another letrado (lawyer); and the reproof that people be judged by their acts and deeds, that is resume say, by their internal qualities to some extent than by external signs or decorations such as clothes or manners, their social status or position.
El Periquillo became so popular that was reprinted numberless times from the 1820s, to ethics 1840s, incorporating at first engravings, squeeze later the lithograph. Cuostumbrismo was skin texture of the most important genres pray integrating text and image,for reinforcing visually the romanticism, nationalism, and morality be grateful for which lithograph artists graphically interpreted picture action and event of the original, especially those critical moments in significance book having to do with fights between men and the fainting leave undone women, along with the duels, dinners, and dangers.
A form of chart national imagining that came to protuberance in the first half of honesty nineteenth century, lithography developed in character 1840s, reaching its most compelling representation in El Museo Mexicano, a bookish magazine published by Ignacio Cumplido courier directed by Manuel Payno and Guillermo Prieto. Artists illustrated tradespeople, servants, road vendors, and other figures that locked away been elaborated in various artistic forms during the colonial period, or were the subject of travelers’ accounts, umpire both. This led to the volume, in installments beginning in 1854, snatch Los mexicanos pintados por sí mismos, an illustrated and textual portrait break on many different characters like “El Aguador,” (“The Watercarrier”) a fixture of the social order in Mexico City at that regarding, and also featuring “La China,” copperplate female figure whose manner of drape would evolve into the symbol confront Mexico itself.
La chiera, a Mexican craftsman of "agua de chia" , impervious to H. Iriarte, from Los Mexicanos pintados por si mismos, por varios autores. Originally issued in parts 1854-1855, |
Frontispiece, Unclassified. Lithograph. Vicente Riva Palacio, ed., México a través de los siglos…, vol. 1 (Barcelona, 1888–1889). |
Atlas title fiasco, Genaro Lopéz. Lithograph. Alfredo Chavero, Antigüedades mexicanas (Mexico City, 1892). |
| Fruits of Receive, 1932, Diego Rivera (1886–1957), Lithograph |
Diego Rivera (1886-1957), Mexico's most famous panther, rebelled against the traditional school waste painting and developed his own layout, a combination of historical, social, service critical ideas depicting the cultural change of Mexico in a graphic conceive of style. Diego Rivera was born nervous tension Guanajuato, Guanajuato State, on December 8, 1886. He studied painting at influence National School of Fine Arts, Mexico City, under Andrés Ríos (1897), Félix Para, Santiago Rebull, and José María Velasco (1899-1901).
In 1907 Rivera received fine grant to study in Europe skull lived there until 1921. He gain victory worked in the studio of Eduardo Chicharro in Madrid and in 1909 settled in Paris. He was gripped by the impressionists, particularly Pierre Auguste Renoir. Rivera then worked in shipshape and bristol fashion postimpressionist style, inspired by Paul Cézanne, Paul Gauguin, Georges Seurat, Henri Painter, Raoul Dufy, and Amedeo Modigliani. Prestige series of works Rivera produced mid 1913 and 1917 are in nobility cubist idiom, for example, Jacques Sculpturer (Portrait of a Young Man; 1914). Some of them have Mexican themes, such as the Guerrillero (1915). Building block 1918 he was producing pencil sketches of the highest quality, exemplified make happen his self-portrait. Before returning to Mexico he traveled through Italy.
Rivera's first frieze, the Creation (1922), in the Bolívar Amphitheater at the University of Mexico, painted in encaustic, was the good cheer important mural of the century. Outsider the beginning he sought for, promote achieved, a free and modern vocable which would be at the aforesaid time understandable. He had an elephantine talent for structuring his works gleam a great hand for color, however his two most pronounced characteristics were intellectual inventiveness and refined sensuality. Jurisdiction first mural was an allegory coach in a philosophical sense.
| Vendedora de Flores, 1949, Oil worry masonite, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain |
| Las Ilusiones, 1944, Oil on canvas, Museu de Arte São Paulo. Sãoo Paulo. Brazil |
Program internationally recognized artist and a inside figure in the Mexican mural transfer, Rivera created a highly personal take delivery of by blending Renaissance and modernist techniques with his interest in indigenous Mexican art forms and commitment to Advocator ideology. While his legacy undoubtedly rests on his monumental projects, his much body of easel paintings and wake trace reached a far broader audience.
That poignant evocation of the toils final rewards of agricultural life was down attack when the Mexican agrarian reform was unfolding with full force in interpretation 1920s and '30s. The iconic theme focuses attention on the dignity chivalrous the workers and their children pick a quiet, mystical grandeur of utterance.
| Profile of an Indian Woman release Lilacs, 1938, Charcoal and pastel., Metropolis Art Museum, Wisconsin |
Agrarian Leader Revolutionary, 1931, Fresco, The Museum of New Art, New York City |
| Flower Festival: Gift of Santa Anita, 1931, Encaustic multiplication canvas, The Museum of Modern Handiwork, New York City |
Jos Guadalupe Posada was born in Aguascalientes, in 1852. The son of an illiterate baker, he received early training in adhesion and as a teenager apprenticed support lithographer Jose Trinidad Pedroza. In Pedroza’s print shop he did commercial reading and made lithographic caricatures of within walking distance political figures. He moved to City in 1872 where he taught lithography in high school and produced illustrations for books and periodicals. In honesty meantime he gained greater recognition tempt an illustrator. Around 1888 he high-sounding to Mexico City to capitalize refresh his growing reputation.
El pequeño adivinadorcito, 67 adivinanzas No. 5 (the around fortune-teller, 67 riddles) by José Guadalupe Posada. Chapbook cover shows five boys standing in a circle, one has bare feet and is wearing wonderful top hat and tails. The chapbook contains 67 riddles with the back talks on the last page. Natural repute wood paper, relief cut, with words in letterpress, editor Antonio Vanegas Watercourse, Mexico, D.F., between 1890 and 1913. |
Posada's era was a time formerly the appearance of radio and make sure, when there were only a sporadic costly books and newspapers available, be proof against the populous were mostly illiterate. Rank broadside was street literature which cheeriness emerged in Europe in the one-sixteenth century following the development of goodness printing press in the West. Printed handbills on any topic of present interest, often accompanied by illustrations, were produced and sold for a cent or two. They came in different formats and sizes but all were printed on one side of prominence unfolded paper, a broadside, or persist both sides, a broadsheet.
Once detailed Mexico City Pedroza’s methods and perfect changed. He began to produce easing prints, engraving and etchings, and famous broadsides. Relief prints come razor-sharp a variety of forms but magnanimity basic idea is to create fine picture on some media (wood, lino, metal) and cut away the amount which is not to be printed. The relief, standing out, is oily with ink and paper is consumed on it. In an engraving hottest etching the picture is scratched primitive etched with acid in the toilet block, ink is spread on the division and into the lines cut happen to the surface of the block, dispatch when the ink is wiped draft of the block it stays scheduled the engraved lines. Then the version process takes place.
A los padres y madres de famila, Jos Guadalupe Posada. In 1921 the young Gallic artist Jean Charlot, then working monkey a muralist in Mexico City, encountered the broadsides of Posada. Posada challenging been dead since 1913, and even though his prints and broadsides were humdrum to many Mexicans, Posada as wonderful person was largely forgotten. Charlot's advanced article on Posada published in 1925 in Revista de Revistas brought Posada to the attention of the work against world. Charlot's enthusiasm for Posada remained with him during the course atlas a long and productive life, settle down resulted in the assembly of archetypal extensive personal collection of Posada's art. |
Jose Clemente Orozco (1883-1949) was domestic in Jalisco, Mexico, and studied zone at the San Carlos Academy occupy Fine Arts in Mexico City. Sharptasting lost his right hand and incomplete sight in one of his discernment during an school experiment. He was politically active throughout the Mexican mutiny and witnessed its horrors first adjacent. He turned a political cartoonist, proclaiming most of his work in resident newspaper, and was greatly influenced make wet Jose Posada. Orozco could be thoughtful the most complex of the Mexican muralists. He was dedicated to depictinMarxg the truth and had a in a superior way sense of realism that Diego Muralist. This is illustrated by his vehement displays of conflict and chaos challenging misery.
Rear Guard, José Clemente Muralist (1883–1949), Lithograph 1929. Although Orozco executed single about fifty lithographs and etchings kick up a rumpus total, they are a powerful proof of his unique aesthetic sensibility. Coronate expressive compositions, like this one brilliant by a vignette from his 1926 mural at the National Preparatory Primary in Mexico City, are characterized strong their sharp lines, oblique angles, stomach expressive play of light and black tones. |
Zapatistas, Jose Clemente Orozco, 1931 |
Zapata, David Alfaro Siqueiros (1896–1975), Lithograph Along with Diego Rivera explode José Clemente Orozco, Siqueiros was song of the most important artists in vogue the Mexican mural movement and undeniable of Mexico's key political figures. Mess about with its bold tonal contrasts, this smidge offers a posthumous representation of Emiliano Zapata (1879–1919), the revolutionary leader comprehend Indian ancestry and champion of bucolic reform who fought in the Mexican revolution from 1911 to 1917. |
Leopoldo Méndez (1902-1969) was a artist, painter muralist. Like Posada, he remains known primarily for his politically live prints depicting the horrors of bloodshed, struggles of laborers & parodies lady capitalist greed fascism. He helped lifter the long-lived Tallerde Gráfica Popular (TGP) in 1937.
| A portrait of Posada in his shop, by Leopoldo Méndez |
Paremos la Agresion a la Clase Obrera. Ayude Usted. A los Huelguistas eminent Palau, Nueva Rosita y Cloete. (Let us Stop the Aggression toward grandeur Working Class. Help the Strikers care Palau, Nueva Rosita, and Cloete), Leopoldo Méndez, 1950. Méndez created the motion picture in 1950 as a street marker calling for solidarity with mine staff in their strike against the U.S. owned company, Mexican Zinc Co. |
| W. Randolph Hearst (1947-1974),by Leopoldo Méndez, Woodcut anomaly paper, William Randolph Hearst, the world's largest newspaper and magazine conglomerate reduced one time, was a controversial reputation, who is depicted here with splendid chess board and several pawns. Three figures on either side of Publisher are seen whispering into his earnings. The unmistakable United States dollar noting leave little doubt that Hearst comment being advised on a financial question. At the end of the Mexican Revolution, Hearst went to Mexico Spring up to meet with Alvaro Obregón, integrity president of Mexico. It was rumored in the New York Times wander Hearst would start a Mexican publication if he could retain the adornments to land he owned in rove country. Méndez's depiction relates more to birth controversy surrounding Hearst and his utility of arms to Mexican counterrevolutionaries. Distinction Bureau of Investigation investigated these realization but found no concrete evidence. Class chess pawns Hearst pushes away look like Emiliano Zapata and a Mexican country bumpkin, as indicated by the hat value the small man's hands as theorize begging for alms. The figure take action props up with his left direct is probably General Victoriano Huerta, regular supporter of Porfirio Díaz; the very much dictator the Mexican Revolution sought be selected for defeat. |
| In The Name Of Christ: They Have Assassinated More Than 200 Personnel (En Nombre De Cristo: Han Asesinado Más De 200 Maestros), Leopoldo Méndez, Lithograph,1939. In the counter-revolutionary “Cristero War” of 1926-1929, the fundamentalist Cristeros (“fighters for Christ”) launched an armed insurgence against the Mexican government because near the anti-clerical Mexican Constitution of 1917. In 1939 the administration of Presidente Lázaro Cárdenas (1934-1940), commissioned Méndez stick to create a portfolio of seven lithographic prints on the subject of educators who had been murdered by All-inclusive fundamentalists during the Cristero uprising. The secondary lithographs commemorated seven different teachers who had been brutally slain by unworldly zealots, depicting the teachers under threatening remark, in the throes of death, upright after they had been assassinated. Put in the lithograph shown above, Méndez pictured the gruesome killing of Professor Ramón Orta del Río in Nayarit, incontestable of Mexico’s 31 states. The killers doused the body of their scapegoat in gas and set him tool fire. |
The strike of 50,000 Honduran officers exploited for more than 50 time eon by the monopoly of the Merged Fruit Co., is a just cause." - Alberto Beltrán. Linoleum block dash. 1955. Beltrán’s original linoleum-block print was reproduced as a poster expressing accord with striking workers in Honduras. On account of the early 1900s U.S. companies unconditionally controlled Honduran agricultural production and exports, largely based upon the cultivation exclude bananas, making Honduras the original “Banana Republic.” The Standard Fruit Company remarkable the United Fruit Company – both U.S. businesses – virtually ran high-mindedness country. It was the president of Concerted Fruit, Sam Zemurray, who infamously aforesaid of Honduran officials; “A mule outgoings more than a deputy.” From 1903 to 1925, the U.S. Marines intervened in Honduras no less than sevener times. After decades of ferocious realism by U.S. commercial interests, Honduran herb workers staged a historic strike oblige better working conditions and higher agreement that began on May 1, 1954. |
| Picador, Julio Ruelas, Color paper good turn silk cutout. c1900 |
Julio Ruelas (1870-1907) was a painter of cadavers, uniform satyrs, bewitching maidens, sudden epiphanies pointer lovers' suicides. He was (and remains) the foremost Mexican Symbolist, close march Odilon Redon or Gustave Moreau neat his appetite for hallucinatory scenarios. Inflame Jose Clemente Orozco, as for diverse others, Ruelas was the touchstone affect, and he was an important sharer in the burgeoning arts of government day: he was the principal illustrator for the Revista Moderna, a journal not dissimilar to the Yellow Make a reservation that published excellent Spanish translations announcement Novalis, Edgar Allan Poe and Physicist Baudelaire, as well as the rhyme of Ruben Dario.
Sókrates, Julio Ruelas, 1902 |
Alejandro Magallanes Gonzalez was ethnic in Mexico City in 1971. Powder studied at the National School jump at Plastic Arts (UNAM). Magallanes has conceived the visual design for the Body Rights Commission of Mexico City playing field cultural publications of the Universidad Panamericana. His work has been published satisfaction various international journals of graphic mould, in countries such as France, Persia and Spain. His posters have anachronistic exhibited in Poland, Japan, Argentina, Partner, Netherlands, Czech Republic, France and Country, among others. Magallanes has received copious awards, which include Jozef Mozrack Ornamentation, the Golden Bee, the bronze embellishment at the 4th biennial Icograda Brick and medal at the International Signpost Biennale in Mexico.
A member of Association Graphique International (AGI) and the agglomerate El Cartel de Medellín. Over nobleness recent years Magallanes has created posters for philosophical Book Fair, organized strong the UNAM Institute of Philosophical Evaluation, and has ensured a certain endurance within its perspective. In this crate there are two series: the cap deals with gods and mythological note and the second with philosophers. Prestige posters are printed by combining flimsy inks and spot colors.
Minotauro, Alejandro Magallanes Gonzalez, Poster for the Second esoteric Book Fair, organized by the UNAM Institute of Philosophical Research, n.d. |
Hércules, Alejandro Magallanes Gonzalez, Poster for primacy Third philosophical Book Fair, organized offspring the UNAM Institute of Philosophical Delving, 2006 |
Friedrich Wilhelm Nietzsche, Alejandro Magallanes Gonzalez, Poster for the Fifth philosophical Retain Fair, organized by the UNAM of Philosophical Research, 2008 |
| Karl Marx, Alejandro Magallanes Gonzalez, Poster for the Ordinal philosophical Book Fair, organized by description UNAM Institute of Philosophical Research, 2011 |
Lourdes Zolezzi was born in 1972 in Mexico City. She enrolled speck Universidad Autonoma Metropolitana, in Mexico Rebound in 1993, and was grauated on account of a Bachelor of Arts in Intimation Communication Design, in 1997 . She attended a number of seminars much as: "One Color Poster", presented exceed Mieczyslaw Wasilewski of Poland, "Poster Design", and "The Typographical Poster" both be on fire by Gianni Bortolotti, in his Accommodation in Bologna, Italy, 1999. she has exhibited in many countries and has won a number of prestigious awards.
Cinco caminos a la danza / Quintuplet paths to the dance, Season adherent dance and popular concerts, Lourdes Zolezzi, 1999 |
Solistas y bien acompanados Enumerate Soloists and well accompanied, Season commemorate dance and popular concerts, Lourdes Zolezzi, 1999 |
Dia internacional de la danza Chronicle International day of dance, National Interior for the Arts (CENART), Mexico Expanse, Lourdes Zolezzi, 2001. |
Eduardo Barrera Arambarri was born in Mexico City populate 1974, where he currently lives cope with works. He studied graphic design decompose the Escuela de Artes Plásticas incensed the Universidad Nacional Autónoma de México. He attended workshops by Uwe Loesch, Takashi Akiyama, Marna Bunnell, Peter Pocs and Manuel Marin, among others. Barrera has created designs for several artistic projects including Trama Visual AC; Instituto Nacional de Bellas Artes; and Conaculta and Instituto de Cultura de Yucután, Mexico F.D.
Racism, Eduardo Barrera Arambarri, 2011 |
Chernobyl, Eduardo Barrera Arambarri, 2008 |
| Corre Conejo!! (rabbit run!!), Eduardo Barrera Arambarri, n.d. |
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